{"id":10929,"date":"2024-04-09T11:03:57","date_gmt":"2024-04-09T09:03:57","guid":{"rendered":"https:\/\/dev.cappella.synapsys-digital.com\/production\/of-the-voice-of-souls-les-indes-galantes\/"},"modified":"2025-05-26T16:48:31","modified_gmt":"2025-05-26T14:48:31","slug":"of-the-voice-of-souls-les-indes-galantes","status":"publish","type":"post-concert","link":"https:\/\/dev.cappella.synapsys-digital.com\/en\/production\/of-the-voice-of-souls-les-indes-galantes\/","title":{"rendered":"De la voix des \u00e2mes – Les Indes Galantes"},"content":{"rendered":"\n
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“Orchestrating a show made up of short-circuits between Rameau’s opera-ballet and street gestures, attitudes and dances. How can this music set in motion the ghosts of another era, sculpted by other stories? To seek to link the incantatory dimension of Rameau’s music with the cathartic scope of these dances. I’d like to take these movements, each of which in its own way tells the story of a minority, a community, sketching out an entry into the world through gesture, and gradually unhinge them, bringing them face to face with Leonardo Garc\u00eda-Alarc\u00f3n’s adaptation of Baroque music.” <\/em><\/p>\nBintou Demb\u00e9l\u00e9<\/strong><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n

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De la voix des \u00e2mes – Les Indes Galantes<\/em> is an artistic experiment fusing Jean-Philippe Rameau’s baroque opera with the raw energy of hip-hop and krump, directed and choreographed by Bintou Demb\u00e9l\u00e9.<\/p>\n\n\n\n

Born of the encounter between Bintou Dembel\u00e9 and Leonardo Garc\u00eda-Alarc\u00f3n during the 2019 production of Les Indes Galantes at the Op\u00e9ra Bastille, and inspired by the conductor’s innovative musical vision, this choreographed concert transcends the boundaries between musical genres and forms of bodily expression.<\/p>\n\n\n\n

By exploring the roots of Western music through contemporary popular cultures, this creation reveals the universal pulse uniting music and dance. Rameau’s music is carried by Leonardo Garc\u00eda Alarc\u00f3n’s two ensembles, Cappella Mediterranea and the Ch\u0153ur de Chambre de Namur, as well as a first-rate cast of soloists, while hip-hop and krump dancers from the Rualit\u00e9 structure passionately embody the complex emotions and irregular rhythms of the human soul.<\/p>\n\n\n\n

De la voix des \u00e2mes – Les Indes Galantes<\/em> invites the audience to plunge into a whirlwind of emotions, movement and sound, for an unforgettable and deeply moving artistic experience.<\/p>\n<\/div>\n\n\n\n

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Program<\/h2>\n\n\n\n

Les Indes Galantes<\/h4>\n\n\n\n

Op\u00e9ra-ballet de Jean-Philippe Rameau (extraits)<\/p>\n\n\n\n

Libretto : Louis Fuzelier <\/strong>(1735)<\/p>\n<\/div>\n\n\n\n

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Cast<\/h2>\n\n\n\n

Julie Roset<\/strong>, soprano (La Seine Musicale, Teatro Real, Auditorium de Lyon<\/em>) \/ Laur\u00e8ne Patern\u00f2<\/strong>, soprano (The Grange Festival, Theatro Municipal de S\u00e3o Paulo<\/em>) \u2014 Amour, Phani, Fatime, ZimaAna Quintans<\/strong>, soprano \u2014 H\u00e9b\u00e9, \u00c9milie, Za\u00efre, AtalideMathias Vidal<\/strong>, tenor \/ Alasdair Kent<\/strong>, tenor (The Grange Festival uniquement<\/em>) \u2014 Val\u00e8re, Don Carlos, Tacmas, DamonAndreas Wolf<\/strong>, bass \u2014 Bellone, Osman, Huascar, Ali, Don Alvar<\/p>\n\n\n\n

Leonardo Garc\u00eda-Alarc\u00f3n<\/strong>, musical directionBintou Demb\u00e9l\u00e9<\/strong>, artistic direction, choreography<\/p>\n\n\n\n

Structure Rualit\u00e9Ch\u0153ur de Chambre de NamurCappella Mediterranea<\/strong><\/p>\n\n\n\n

No\u00e9mie N’diaye<\/strong>, dramaturgyBenjamin Nesme<\/strong>, lighting Charlotte Coffinet<\/strong>, costumes<\/p>\n<\/div>\n<\/div>\n\n

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