{"id":8609,"date":"2024-03-09T10:22:59","date_gmt":"2024-03-09T09:22:59","guid":{"rendered":"https:\/\/dev.cappella.synapsys-digital.com\/production\/monteverdi-lorfeo\/"},"modified":"2023-09-18T10:14:04","modified_gmt":"2023-09-18T08:14:04","slug":"monteverdi-lorfeo","status":"publish","type":"post-concert","link":"https:\/\/dev.cappella.synapsys-digital.com\/en\/production\/monteverdi-lorfeo\/","title":{"rendered":"Monteverdi, l&#8217;Orfeo"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/\/Orfeo-Aix-4-1024x609.jpg\" alt=\"Valerio Contaldo, Mariana Flores, Leonardo Garc&#xED;a Alarc&#xF3;n, Monteverdi Orfeo, Festival d'Aix En Provence, Cappella Mediterranea\" class=\"wp-image-4581\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-top is-layout-constrained wp-container-core-column-is-layout-254f1302 wp-block-column-is-layout-constrained\" style=\"padding-top:0;padding-right:0;padding-bottom:0;padding-left:0;flex-basis:50%\">\n<h4 class=\"wp-block-heading has-text-align-left\">Based on the myth of Orpheus\u2019 attempt to rescue his wife Eurydice from the Underworld, <em>l\u2019Orfeo<\/em> is a milestone in the history of music, marking the end of Renaissance music and the beginning of the Baroque art. As the individual emerged in art, &#8220;the individual became the centre of the new musical world&#8221;. Leonardo Garc\u00eda Alarc\u00f3n and Cappella Mediterranea brilliantly interpret this magnificent love song that is also a poetic and theatrical fable about the power of music.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><em>&#8220;Discreetly staged, this concert version glorifies the dramatic essence of a music that is brought to life with the trademark science and instinct of the Argentine conductor and his ensemble.&#8221;<\/em><\/p>\n<cite><strong>Gilles Charlassier for Olyrix<\/strong><\/cite><\/blockquote>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">The first great opera in history<\/h2>\n\n\n\n<p class=\"has-text-align-left\">None of this would have been possible without Monteverdi\u2019s genius. He could transmit every slight inflection and emotion produced by the text in music, with incomparable artistry and mastery. Although the forms he was working with were so diverse, he was able to arrange musical and dramatic sequences with great coherence. By combining different stylistic elements drawn from both new (monodic) and old (polyphonic) music, he produced a mind-blowing amalgam. It was so innovative that almost four centuries later, we can still feel the same admiration and awe that struck the audience that first had the privilege of witnessing this phenomenon on 24 February 1607. There can be no doubt. The operatic genre was born with a masterpiece. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-vertically-aligned-bottom is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Orfeo Monteverdi\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/7paVyg7V6Qw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\"><em>L&#8217;Orfeo &#8211; Festival de Saint-Denis 2017, mise en espace by Jean Bellorini<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\r\n<section class=\"container\">\r\n\r\n\r\n\r\n    \r\n        <h2 class=\"titre-secondaire-basic\">Prochaines dates<\/h2>\r\n\r\n        \r\n            <div class=\"swiper-card-concert-current\">\r\n                <div class=\"swiper-wrapper\">\r\n                                    <\/div>\r\n            <\/div>\r\n\r\n            <div class=\"nav-swipper-concert-current\">\r\n                <div class=\"swiper-card-concert-current-button-prev\"><\/div>\r\n                <div class=\"swiper-card-concert-current-button-next\"><\/div>\r\n            <\/div>\r\n        \r\n    \r\n<\/section>\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Programme<\/h2>\n\n\n\n<p>Favola in musica in a prologue and five acts.<br\/>Music by Claudio Monteverdi (1677 &#8211; 1643)<br\/>Libretto by Alessandro Striggio, first performed in 1607 at Mantova\u2019s Palazzo Ducale.<\/p>\n\n\n\n<p><em>Performance running time: approx. 2 hours and 10 minutes with intermission.<\/em><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-328c6305 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\r\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/dev.cappella.synapsys-digital.com\/post-discographie\/disques-de-lga-2-2-5\/\">\r\n    <div class=\"content-circle\">\r\n        <div class=\"circle\"><\/div>\r\n    <\/div>\r\n    <span class=\"title\">\r\n        Discover the album    <\/span>\r\n<\/a>\r\n\r\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h2 class=\"wp-block-heading\">Cast <\/h2>\n\n\n\n<p><strong>Valerio Contaldo<\/strong>, tenor &#8211; <em>Orfeo<br\/><\/em><strong>Mariana Flores<\/strong>, soprano &#8211; Musica, <em>Euridice<br\/><\/em><strong>Guiseppina Bridelli<\/strong>, mezzo-soprano &#8211; <em>La Messagiera<br\/><\/em><strong>Anna Reinhold<\/strong>, mezzo-soprano &#8211; <em> Proserpina,<\/em> <em>Speranza<br\/><\/em><strong>Alejandro Meerapfel<\/strong>, bass &#8211; <em>Plutone<br\/><\/em><strong>Salvo Vitale<\/strong>, bass &#8211; <em>Caronte<br\/><\/em><strong>Alessandro Giangrande<\/strong><em>, <\/em>countertenor<em> &#8211; <em>Pastore, Apollo<\/em><br\/><\/em><strong>Matteo Bellotto<\/strong>, bass &#8211; <em>Pastore<br\/><\/em><strong>Nicholas Scott<\/strong>, tenor &#8211; <em>Pastore, Spirito, Eco<br\/><\/em><strong>Leandro Marziotte<\/strong>, countertenor &#8211; <em>Pastore<br\/><\/em><strong>Julie Roset<\/strong> (Lanaudi\u00e8re, 22 July 2023) \/ <strong>Estelle Lefort<\/strong> (Nancy, 12 &amp; 13 April 2023; Namur, 14 April 2023), soprano &#8211; <em>Ninfa<br\/><\/em><strong>Philippe Favette<\/strong>, bass &#8211; <em>Spirito 2<\/em><\/p>\n\n\n\n<p><strong>Ch\u0153ur de chambre de Namur<br\/>Cappella Mediterranea<br\/>Leonardo Garc\u00eda Alarc\u00f3n<\/strong>Musical direction<\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h2 class=\"wp-block-heading\">About<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\"><em>What can I say? When voices are silent, it is the music that speaks.<\/em><\/h4>\n\n\n\n<p>&#8220;The score of L&#8217;Orfeo reveals how innovative the work was and allows us to understand how building upon the rough sketches of his predecessors, Monteverdi developed an operatic model that would be used by generations to come. We can see how concerned he was with theatrical expression and its various modes, as well as instrumental colours and how they can be used to express certain moods, and even some aspects of staging. [\u2026]<\/p>\n\n\n\n<p>Monteverdi was able to create such depth, thanks to his mastery of the polyphonic style. He managed to produce the imposing and terrifying effect of a double choir with five voices alone. [\u2026]<\/p>\n\n\n\n<p>What can I say? When voices are silent, it is the music that speaks. There are no more words, just the expression of pain in an instrumental line that is supported by a bass that rises than falls in chromatic movements. [&#8230;] Questions remain. The score provides us with some answers, but not all. It is the performer\u2019s role to take the score and bring it back to life once again.&#8221;<\/p>\n\n\n\n<p><strong>J\u00e9r\u00f4me Lejeune<\/strong><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><em>Life, death, love and music are the four forces that drive human life, and L&#8217;Orfeo may be the opera that best embodies these themes.<\/em><\/h4>\n\n\n\n<p>\u201cMonteverdi fully exploits the rich colours that are typical of the Baroque period. Using a centrifugal force, he directs an explosion of light towards all points of the universe. His <em>Orfeo<\/em> is masterful. He had the good fortune of being able to work with a libretto as rich as Striggio&#8217;s. Although very little has been said about it, we can imagine how the text must have ignited the composer\u2019s creativity. <em>L\u2019Orfeo<\/em> forces us to confront humanity itself. If life, death, love and music are the driving forces behind humanity, <em>L&#8217;Orfeo<\/em> may be the opera that best embodies them. Only music can bring us into dialogue with the afterlife and lead us on a search for our lost loved ones. Monteverdi was the first great orchestrator. That skill that would later disappear with Venice\u2019s public opera, which reduced orchestration to violins, a few lutes and a harpsichord. L\u2019Orfeo represents a sort of ideal. A desire to utilize all the instruments and colours in the world.\u201d <\/p>\n\n\n\n<p><strong>Leonardo Garc\u00eda Alarc\u00f3n<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<h2 class=\"wp-block-heading\">What the press is saying<\/h2>\n\n\n\n<h4 class=\"wp-block-heading\">La Libre<\/h4>\n\n\n\n<p>&#8220;The venue\u2019s austere appearance is matched by its extraordinary acoustic features (designed by Eckhard Kahle), which extend to every inch of the hall. In this Orfeo, a simple but well-thought-out mise en espace results in a version that speaks volumes, full of revelations and mysteries.&#8221;<br\/><em><strong>Martine Mergeay for La Libre<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.lalibre.be\/culture\/2023\/04\/16\/la-passion-dorfeo-Z5TLGF2NQBF3RLLZV3XSBSKC74\/\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Crescendo Magasine <\/h4>\n\n\n\n<p>\u201cLeonardo Garc\u00eda Alarc\u00f3n is the cornerstone of this performance. His conducting is inspired, bringing out the best in every artist. He knows his score like the back of his hand. The version he delivered was both dynamic and subtle, exploring a wide range of nuances and characters. The venue was packed to the rafters, and the audience cheered loudly, giving the artists a well-deserved standing ovation.\u201d<br\/><em><strong>Thimoth\u00e9e Grandjean for Crescendo Magasine<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.crescendo-magazine.be\/un-orfeo-somptueux-au-namur-concert-hall\/\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">El confidencial <\/h4>\n\n\n\n<p>&#8220;What we witnessed was not only the merit or result of an ambition to create the ultimate performance, but also the Argentine maestro\u2019s skill in conveying musical wonderment. Dressed as a croupier, he transformed the German orchestra into a phenomenon of magma, colour, and poetry. [&#8230;] The beauty of the recitatives was as moving as the opulence of the brass.\u201d <br\/><em><strong>Rub\u00e9n Am\u00f3n for El confidencial<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.elconfidencial.com\/cultura\/2022-11-25\/orfeo-monteverdi-teatro-real_3528765\/\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Resmusica<\/h4>\n\n\n\n<p>&#8220;Having collaborated for several concerts and recorded an album together, Leonardo Garc\u00eda Alarc\u00f3n and his ensembles are now seasoned veterans. Cappella Mediterranea and the Ch\u0153ur de chambre de Namur are intimately familiar with one another. They know each other\u2019s part as well as their own, and the result is a cohesive listening experience that allows us to discover or rediscover many marvels and delight in the fine details and sophistication of the writing. The tempo was energetic, and the dynamics perfectly dosed. The joyful passages and dances had an irresistible pulse, and the dramatic moments took on an astonishingly tragic dimension. For example, when Orfeo got the terrible news, the distortion of time produced a frightening effect. Nevertheless, what dominated the entire evening was clarity and light, the joy of playing and singing such a masterpiece <br\/><em><strong>Matthieu Roc for Resmusica<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.resmusica.com\/2022\/05\/10\/lorfeo-de-monteverdi-rayonne-a-strasbourg-sous-la-direction-dalarcon\/\" target=\"_blank\">See full article<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Olyrix<\/h4>\n\n\n\n<p>&#8220;In the title role, Valerio Contaldo\u2019s vocals are dense and darken at the right times with mournful distress. The grain of his voice can be gravelly, and this enhances the texture of a vocal performance that is centred on the impact of sung declamation. <em>L&#8217;Orfeo<\/em> may be the first great opera in history, but its theatrical vein runs in the music. This interpretation delivers its quintessence.&#8221; <br\/><em><strong>Gilles Charlassier for Olyrix<\/strong><\/em><br\/><a rel=\"noreferrer noopener\" href=\"https:\/\/www.olyrix.com\/articles\/production\/3781\/orfeo-monteverdi-opera-versailles-18-janvier-2020-chateau-spectacles-version-concert-contaldo-flores-bedouelle-quitans-meerapfel-vitale-bellotto-scott-vistoli-giangrande-favette-lefort-choeur-chambre-namur-cappella-mediterranea-leonardo-garcia-alarcon\" target=\"_blank\">See full article<\/a><\/p>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"740\" height=\"1024\" data-id=\"4573\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/\/Orfeo-LSM-2-740x1024.jpg\" alt=\"Mariana Flores, Quito Gato, Monteverdi Orfeo, La Seine Musicale, Cappella Mediterranea\" class=\"wp-image-4573\" srcset=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-2-740x1024.jpg 740w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-2-217x300.jpg 217w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-2-768x1063.jpg 768w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-2.jpg 946w\" sizes=\"auto, (max-width: 740px) 100vw, 740px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"547\" height=\"1024\" data-id=\"4575\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/\/Orfeo-LSM-3-547x1024.jpg\" alt=\"Valerio Contaldo, Alessandro Giangrande, Nicholas Scott, Quito Gato, Monteverdi Orfeo, La Seine Musicale, Cappella Mediterranea\" class=\"wp-image-4575\" srcset=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-3-547x1024.jpg 547w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-3-160x300.jpg 160w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-3-768x1438.jpg 768w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-3-820x1536.jpg 820w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-3.jpg 880w\" sizes=\"auto, (max-width: 547px) 100vw, 547px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"595\" height=\"1024\" data-id=\"4571\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/\/Orfeo-LSM-1-595x1024.jpg\" alt=\"Valerio Contaldo, Mariana Flores, Monteverdi Orfeo, La Seine Musicale, Cappella Mediterranea\" class=\"wp-image-4571\" srcset=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-1-595x1024.jpg 595w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-1-174x300.jpg 174w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-1-768x1321.jpg 768w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-1-893x1536.jpg 893w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-1.jpg 946w\" sizes=\"auto, (max-width: 595px) 100vw, 595px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1018\" height=\"632\" data-id=\"4577\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-4.jpg\" alt=\"M&#xE9;lanie Flahaut, Monteverdi Orfeo, La Seine Musicale, Cappella Mediterranea\" class=\"wp-image-4577\" srcset=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-4.jpg 1018w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-4-300x186.jpg 300w, https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/Orfeo-LSM-4-768x477.jpg 768w\" sizes=\"auto, (max-width: 1018px) 100vw, 1018px\" \/><\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-ef350914 wp-block-columns-is-layout-flex\" style=\"padding-top:var(--wp--preset--spacing--30);padding-bottom:var(--wp--preset--spacing--30)\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\r\n<a class=\"link-default link-center link-circle\" href=\"https:\/\/dev.cappella.synapsys-digital.com\/productions\/\">\r\n    <div class=\"content-circle\">\r\n        <div class=\"circle\"><\/div>\r\n    <\/div>\r\n    <span class=\"title\">\r\n        Find out more about our other productions    <\/span>\r\n<\/a>\r\n\r\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\r\n\r\n<section class=\"container partenaires-telechargements no-file\">\r\n\r\n    <div class=\"partenaires\">\r\n        <h3><span style=\"font-size: 18pt;\">Our partners<\/span><\/h3>\n<p>With the generous support of Aline Foriel-Destezet.<\/p>\n<h2><\/h2>\n        <div class=\"partenaires_content\">\r\n                            <div class=\"partenaire_item\" data-call-modal=\"institut francais lr-2\">\r\n                    <img decoding=\"async\" loading=\"lazy\" width=\"120\" height=\"120\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/institut_francais_lr.png\" alt=\"\">\r\n                <\/div>\r\n\r\n                <div class=\"modal\" style=\"visibility: hidden;\" data-modal=\"institut francais lr-2\">\r\n                    <div class=\"content-modal col1\">\r\n                        <img decoding=\"async\" loading=\"lazy\" width=\"120\" height=\"120\" src=\"https:\/\/dev.cappella.synapsys-digital.com\/wp-content\/uploads\/institut_francais_lr.png\" alt=\"\" title=\"institut_francais_lr\" >\r\n                        <p>The Canadian tour was made possible thanks to the support of the Institut fran\u00e7ais in Paris.<\/p>\n                        <span class=\"icon-close\"><\/span>\r\n                    <\/div>\r\n                <\/div>\r\n\r\n                    <\/div>\r\n    <\/div>\r\n    <\/section><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"Based on the myth of Orpheus\u2019 attempt to rescue his wife Eurydice from the Underworld, L&#8217;Orfeo is a milestone in the history of music, marking the end of Renaissance music and the beginning of the Baroque period. Leonardo Garc\u00eda Alarc\u00f3n and Cappella Mediterranea brilliantly interpret this magnificent love song that is also a poetic and theatrical fable about the power of music.","protected":false},"featured_media":11684,"parent":0,"menu_order":0,"template":"","meta":{"_acf_changed":false},"tags":[],"categorie-production":[47,69],"class_list":["post-8609","post-concert","type-post-concert","status-publish","has-post-thumbnail","hentry","categorie-production-operas-en-version-de-concert","categorie-production-opera-in-concert-version"],"acf":{"concerts":[{"date":"2017-05-16 19:00:00","lieu":"Rotterdam, Netherlands","salle_de_concert":"De Doelen","lien_de_la_billetterie":""},{"date":"2017-05-17 20:00:00","lieu":"Brussels, Belgium","salle_de_concert":"Palais des Beaux-Arts (Salle Henri Le B\u0153uf)","lien_de_la_billetterie":""},{"date":"2017-06-20 20:00:00","lieu":"Saint-Denis (Paris), France","salle_de_concert":"Basilique de Saint-Denis","lien_de_la_billetterie":""},{"date":"2017-08-04 20:00:00","lieu":"Bruges, Belgium","salle_de_concert":"MAfestival 2017 (Concertgebouw)","lien_de_la_billetterie":""},{"date":"2017-09-15 20:30:00","lieu":"Ambronay, Abbatiale France","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2017-09-17 20:00:00","lieu":"Li\u00e8ge, Belgium","salle_de_concert":"Op\u00e9ra Royal de Wallonie","lien_de_la_billetterie":""},{"date":"2017-10-14 20:00:00","lieu":"Pamplona, Spain","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2017-11-06 20:00:00","lieu":"Buenos Aires, Argentina","salle_de_concert":"Teatro Col\u00f3n","lien_de_la_billetterie":""},{"date":"2017-11-12 17:00:00","lieu":"Rio de Janeiro, Brazil","salle_de_concert":"Teatro Municipal","lien_de_la_billetterie":""},{"date":"2017-11-13 21:00:00","lieu":"Sao Paulo, Brazil","salle_de_concert":"Teatro Cultura Artistica","lien_de_la_billetterie":""},{"date":"2020-01-11 20:30:00","lieu":"Amsterdam, Pays-Bas","salle_de_concert":"Concertgebouw Main Hall","lien_de_la_billetterie":""},{"date":"2020-01-17 20:00:00","lieu":"deSingel, Antwerp, Belgium","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2020-01-18 19:00:00","lieu":"Versailles, France","salle_de_concert":"Op\u00e9ra Royal de Versailles","lien_de_la_billetterie":""},{"date":"2022-05-03 20:00:00","lieu":"Strasbourg, France","salle_de_concert":"Op\u00e9ra National du Rhin","lien_de_la_billetterie":""},{"date":"2022-05-04 20:00:00","lieu":"Mulhouse, France","salle_de_concert":"La Filature, Sc\u00e8ne Nationale","lien_de_la_billetterie":""},{"date":"2022-07-11 20:00:00","lieu":"Aix-en-Provence, France","salle_de_concert":"Grand Th\u00e9\u00e2tre de Provence","lien_de_la_billetterie":""},{"date":"2022-08-20 20:00:00","lieu":"Cologne, Germany","salle_de_concert":"Koelner Philharmonie","lien_de_la_billetterie":""},{"date":"2023-04-05 20:30:00","lieu":"Boulogne-Billancourt, France","salle_de_concert":"La Seine Musicale","lien_de_la_billetterie":""},{"date":"2023-04-12 20:00:00","lieu":"Nancy, France","salle_de_concert":"Op\u00e9ra National de Lorraine","lien_de_la_billetterie":""},{"date":"2023-04-13 20:00:00","lieu":"","salle_de_concert":"","lien_de_la_billetterie":""},{"date":"2023-04-14 20:00:00","lieu":"Namur, Belgium","salle_de_concert":"Namur Concert Hall - Grand Man\u00e8ge","lien_de_la_billetterie":""},{"date":"2023-07-22 19:00:00","lieu":"Montreal, Canada","salle_de_concert":"Festival de Lanaudi\u00e8re - Amphit\u00e9\u00e2tre Fernand-Lindsay","lien_de_la_billetterie":"https:\/\/lanaudiere.org\/en\/programmation\/leonardo-garcia-alarcon-et-lorfeo-de-monteverdi\/"},{"date":"2023-09-23 20:00:00","lieu":"","salle_de_concert":"Rencontres culturelles de La Vall\u00e9e de Joux - Temple du Sentier","lien_de_la_billetterie":"https:\/\/www.rcvj.ch\/lorfeo-de-monteverdi-cappella-mediterranea\/"},{"date":"2024-01-24 20:00:00","lieu":"","salle_de_concert":"Bozar","lien_de_la_billetterie":"https:\/\/www.bozar.be\/fr\/calendrier\/monteverdi-lorfeo-leonardo-garcia-alarcon"},{"date":"2024-03-09 19:00:00","lieu":"Le Sentier, Switzerland","salle_de_concert":"","lien_de_la_billetterie":"https:\/\/lacitebleue.ch\/evenement\/lorfeo\/"},{"date":"2024-09-14 19:00:00","lieu":"","salle_de_concert":"","lien_de_la_billetterie":"https:\/\/www.rcvj.ch\/lorfeo-de-monteverdi-cappella-mediterranea-2\/"},{"date":"2025-02-23 17:00:00","lieu":"","salle_de_concert":"","lien_de_la_billetterie":"https:\/\/www.lesarts.com\/es\/lorfeo-version-semiescenificada-barroc\/"},{"date":"2026-03-20 20:00:00","lieu":"","salle_de_concert":"","lien_de_la_billetterie":"https:\/\/philharmoniedeparis.fr\/fr\/activite\/opera-en-concert\/28197-claudio-monteverdi-lorfeo"},{"date":"2026-04-28 20:00:00","lieu":"","salle_de_concert":"","lien_de_la_billetterie":"https:\/\/www.elbphilharmonie.de\/de\/programm\/monteverdi-lorfeo-leonardo-garcia-alarcon\/23451"}]},"_links":{"self":[{"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/post-concert\/8609","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/post-concert"}],"about":[{"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/types\/post-concert"}],"version-history":[{"count":0,"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/post-concert\/8609\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/media\/11684"}],"wp:attachment":[{"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/media?parent=8609"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/tags?post=8609"},{"taxonomy":"categorie-production","embeddable":true,"href":"https:\/\/dev.cappella.synapsys-digital.com\/en\/wp-json\/wp\/v2\/categorie-production?post=8609"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}